LensWork Bonus Editions

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LensWork Bonus Editions #014 - February 2025

The Edge by Wayne Levin
While this is the most recent photographic project of mine, its roots stem from my earliest underwater work. While photographing,I am in an environment of motion. I am within the surge of water with limited control of my movements, forcing me to be very aware of exactly where I am relative to the ocean’s action and the reef.

Wayne Levin
Honaunau, Hawaii
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #015 - March 2025

Deja View by David Cummings
It is a great joy to go to new places and see new things. Travel opens a world of novelty and excitement. Sometimes when looking through the viewfinder and composing a photograph, I say, “Wait. I’ve seen this before.” It may be the subject itself, or the arrangement of elements in the frame. Somehow there is a new image that matches one made years ago across the world.

David Cummings
Mentone, Alabama
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #016 - April 2025

The Return of the Lake by Steve Dzerigian
Tulare lake in the San Joaquin Valley of California was once the largest body of water west of the Mississippi. Diversion, land and water use, plus many drought years resulted in it virtually disappearing. With a very wet year coupled with its great Sierra snowpack melting rapidly, the lake returned in a major way for a while in 2023.

Steve Dzerigian
Fresno, California
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #017 - May 2025

Alone Together by Jerry Russo
The great photographer, Walker Evans, shot photographs of people on the New York City subway system between 1938 and 1941 using a camera painted black and hidden in his coat. Thanks to the iPhone, I am attempting to follow in Evans footsteps by photographing people on the Massachusetts Bay Transportation Authority (MBTA) buses and subway trains since 2013.

Jerry Russo
Boston, Massachusetts
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #018 - June 2025

Traversing Eden
Forty-Five Years in the American Southwest
by William Fuller
Editor’s Introduction:

William Fuller has spent forty-five years criss-crossing the Southwest with a 4x5 camera. The images in this PDF represent many of his best, covering thirty-seven of those years. We are delighted to share this life-time of exploration and image making from one of the masters of the southwest.

William Fuller
Payson, Arizona
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #019 - July 2025

The American West Lives On
by Alex Morley

"I grew up in Wyoming, and although I was never a real cowboy, I have always had a fascination with horses, the cowboy lifestyle, and ranching. Most of these images are from western North Dakota on my wife’s relatives’ working ranches, and some from Oregon where we now live. They are glimpses into real life. None of these were posed situations or set-ups for photography workshops. My images are a story of cattle roundups, branding, a cattle auction, and then the rodeo for fun."

Alex Morley
Creswell, Oregon
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #020 - August 2025

Mystery of the Canyons
by Joseph Kayne

"This is a lifelong project of the canyon dwellers of the Colorado Plateau. Starting in 1992, hiking with a large format camera, I sought to explore and document the ancient sites and rock art of the ancestral puebloans (Anasazi) and prior residents."

Joseph Kayne
Evanston, Illinois
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #021 - September 2025

Urban Trees of Atlanta
by Peter Essick

"Old, urban trees in Atlanta, Georgia are remnants of the Piedmont forest that once spread across the East coast. These trees have survived the rapid development in the region. Recent research has shown that trees react to their environment and “sleep” by relaxing their limbs at night. I photographed many species of trees at night near my home in Atlanta to document how these trees live in their urban setting."

Peter Essick
Stone Mountain, Georgia
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #022 - October 2025

Infinitesimal Stones, Soon Altered
by Mary Schafer
I liked the associations of evanescent earth writing, sand time ticking through the hourglass, etching in infinitesimal stones that is soon altered. Eerie images, black water chaos writing suggestive forms, solid forms, then all becomes formless again.

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #023 - November 2025

Landscapes
by Jay Dusard
Editor’s note:

I can’t remember a time in the last 50 years when Jay Dusard wasn’t an important photographer in my life. Dusard’s images appeared in two LensWork Monographs and in four issues of LensWork. We were planning a fifth that would have included some of his favorite landscape images. He sent us 63 in total and told me to make the final editorial selection. I can’t. Instead, here are all 63 images he sent as representatives of his work in the landscape. Dusard passed away on Saturday, September 20, 2025 at the age of 88.

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #024 - December 2025

Pieces of the Desert
by Don Peters
I love the desert. I’ve never been able to explain why with words. This is an attempt to do so with images. They’re images of small things, mostly. The desert rewards those who look closely.

Don Peters
Phoenix, Arizona
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #025 - January 2026

Kailash Temple at Ellora
by Arun Patel
A photographic exploration of Kailash Temple, the largest monolithic rock-cut monument in the world.

Arun Patel
Sacramento, California
2025

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #026 - February 2026

Deep Blue in Black and White
by Jim Squires
Beneath the ocean’s surface lies a magnificent world that remains largely unexplored. It presents a colorful kaleidoscope of life and terrain, both large and small. Colors can distract from the cornucopia of underwater life, however. Intricate forms, lines, and patterns are accentuated when viewed from a black and white perspective, often evoking a more emotional reaction for the viewer.

Jim Squiresl
Saint Simons Island, Georgia 2026

Page: https://www.lensworkonline.com/

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LensWork Bonus Editions #027 - March 2026

Paris Rouge
by David Cummings
My pleasure in Paris has always been to find some new way to show this favorite city. On the first morning of an eight-day walk-around, I started at Napoleon’s Tomb at Les Invalides. Suddenly it seemed like every view had something Red in the way. I wanted these folks and their Reds to move out of the way. But each pop of color added to an image. Whatever was Red became a bit player on a larger stage of the usual Browns and Greens.

David Cummings
Mentone, Alabama
2025

Page: https://www.lensworkonline.com/

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